“This reconfiguration of Hollywood as explicitly transnational makes this book an especially interesting fit for the new Edinburgh University Press series on Traditions in American Cinema. Rather than relying on a limited model of Hollywood historiography that focuses entirely on films produced in America by American studios, Hudson instead shows the ways in which this particular ‘tradition in American cinema’ goes beyond national borders. […] This transnational focus is one of the real strengths of the book, as some of the most invaluable contributions to debates on vampire media come in the chapter that is least obviously about ‘American cinema’.”

“Media” by Iain Robert Smith, The Year’s Work in Critical and Cultural Theory (OUP, 2018): 1–22